פרופ' מיכל בן־חורין

ספרים

1. Michal Ben-Horin. (2022). Reading the Voices: Musical Poetics Between German and Hebrew. Jerusalem: The Bialik Institute. [In Hebrew]
2. Michal Ben-Horin. (2016). Musical Biographies: The Music of Memory in Post-1945 German Literature, Berlin and Boston: Walter de Gruyter.
3. Michal Ben-Horin, Galili Shahar, eds. (2009). Nature History of Destruction: W. G. Sebald between History and Literature, Jerusalem: Hebrew University Press.

פרקים בספרים ומאמרים נבחרים

1. Michal Ben-Horin. (2022), The Language and its Sound in Light of Celan's Visit to Israel. In: Celan/69. Amir Eshel and Galili Shahar (Eds.), Jerusalem: The Bialik Institute.
2. Michal Ben-Horin. (2022). Between Gracchus and Rotpeter: Tuvia Rübner returns to Franz Kafka. Criticism and Interpretation: Journal for Interdisciplinary Studies in Literature and Culture. [In Hebrew].
3. Michal Ben-Horin. (2022). "Untold Story, Indirect Course: My Path into the Field of Holocaust Literature and Representation", In: Their Lives, Our Words, Phyllis B. Lassner and Judy Tydor B. Schwartz eds., Bloomsbury Publishing.
4. Michal Ben-Horin. (2021). Amalia Kahana-Carmon's Song of the Bats. Israel Studies in Language and Society (14) 1: 156-174.
5. Michal Ben-Horin. (2021). What is Heard in the Mountains: Paul Celan's Gespräch im Gebirg in the Light of its Hebrew Translation. Yod: Revue des études hébraïques et juives modernes et contemporaines (23): 187-204. https://journals.openedition.org/yod/4983
6. Michal Ben-Horin, (2020). "Gracchus's Boat: Emigration, Tradition and Translingualism in Tuvia Ruebner", Archives of Emigration /Archiwum Emigracji, 28: 184-198. http://dx.doi.org/10.12775/AE.2020.013
7. Michal Ben-Horin. (2020). Hebrew Literature and Music. In Naomi Seidman (Ed.), Oxford Bibliographies in Jewish Studies. Oxford University Press, https://www.oxfordbibliographies.com/view/document/obo-9780199840731/obo-9780199840731-0196.xml
8. Michal Ben-Horin. (2020). Voice and the Sacred in Arnold Schünberg and Aharon Appelfeld. In Avi Elqayam and Shlomy Mualem (Eds.), Theopoetics, (429-458). Tel Aviv: Idra. [In Hebrew].
9. Michal Ben-Horin. (2019). Taboo, Disaster and Acoustic Reminders in the Yehudit Hendel and Ruth Almog. Criticism: A Quarterly for Literature and the Arts. (61)3: 359-386.
10. Michal Ben-Horin. (2019). The Sound of the Unsayable: Jewish Secular Culture in Schoenberg and Appelfeld. Religions (10) 5: 1-20 doi:10.3390/rel10050334
11. Michal Ben-Horin. (2019). Self-Translation and Translation of the Self as Testimony in Tuvia Rübner’s Oeuvre. Mikan: Journal for Hebrew and Israeli Literature and Culture Studies (19): 532-553.
12. Michal Ben-Horin. (2018). Game Over: Israeli and German Visual Poetics of Catastrophe. Shofar: An Interdisciplinary Journal of Jewish Studies (36) 3: 78-109.
13. Michal Ben-Horin. (2018). On Terror: Nevet Yitzhak's Video Art between Singspiel and Trauerspiel. Geschichte und Repräsentation: Sinne – Sprache – Bilder. Tel Aviver Jahrbuch für deutsche Geschichte (46): 72-91.
14. Michal Ben-Horin. (2018). Choice of Language and the Quest for Israeli Identity in the Works of Tuvia Ruebner and Aharon Appelfeld. Polish Political Science Yearbook. (47)2: 414-423.
15. Michal Ben-Horin. (2017). Krull's Show, or Thomas Mann's Carnival. Odot: Journal for Essays and Criticism, no. 4.
16. Michal Ben-Horin. (2017). The Silence of the Decapitated: Between Aesthetics and Politics, Between Europe and the Middle East. In Nevet Yitzhak Video Works, Artport, pp. 53-59.
17. Michal Ben-Horin (2015). The Secular and its Dissonances in Modern Jewish Literature. In Alexander Joskowicz and Ethan Katz (Eds.), Secularism in Question: Jews and Judaism in Modern Times, Pennsylvania: University of Pennsylvania Press, pp. 115-141.
18. Michal Ben-Horin. (2015). Art, Society and Politics: The Aesthetic Thought of Walter Benjamin and Theodor W. Adorno. In Hana Herzig (Ed.), The Language of the Arts: Disciplines and Interdisciplinary in the Arts, (271-326). Ra'anana: The Open University Press. [In Hebrew].
19. Michal Ben-Horin. (2012). Working through Tradition: Nevet Yitzhak's Schneckentempo and A Great Joy Tonight. Hamidrasha, Annual Journal of Beit Berl Academic College. pp. 160-178. [In Hebrew]
20. Michal Ben-Horin. (2010). Nazism and Musical Biographies: Thomas Mann and Günter Grass. Criticism and Interpretation: Journal for Interdisciplinary Studies in Literature and Culture (43): 193-211. [In Hebrew]
21. Galili Shahar and Michal Ben-Horin (2008). Franz Kafka und Max Brod. In Oliver Jahraus and Bettina von Jagow (Eds.), Franz Kafka. Leben-Werk-Wirkung, Göttingen: Vandenhoeck & Ruprecht, pp. 85-96.
22. Michal Ben-Horin (2009). Musical Moments: Listening in the Work of Sebald. In Michal Ben-Horin and Galili Shahar (Eds.), Natural History of Destruction: W. G. Sebald between Literature and History, (99-115). Jerusalem: The Hebrew University of Jerusalem Press. [In Hebrew].
23. Michal Ben-Horin. (2009). The History of Hebrew Literature in Israel. In: M. Bard and D. Nachmias (Eds.). Online Textbook. Israel Studies: An Anthology. 21 pp. http://www.jewishvirtuallibrary.org/jsource/isdf/text/anthologycvr.html
24. Michal Ben-Horin (2008). Literature and the Compulsion of the Past: On the Work of Memory in German Literature after 1945. Alpayim – A Multidisciplinary Journal for Contemporary Thought and Literature (32): 206-231. [In Hebrew].
25. Michal Ben-Horin (2007). Seeing the Voices, Hearing the Sights: Perceptual Distortions in Böll, Bachmann and Celan. In Silke Horstkotte, Karin Leonhard (Eds.), Seeing Perception, Cambridge: Cambridge Scholars Publishing, pp. 98-127.
26. Michal Ben-Horin (2006). Tones of Memory: Music and Time in the Prose of W. G. Sebald and Yoel Hoffmann. In Jo Alison Parker, Michael Crawford, Paul Harris (Eds.), Time and Memory: The Study of Time XII, (163-175). Leiden: Brill.
27. Michal Ben-Horin. (2006). Musical Discourse and Historical Narratives in Hebrew Literature: Kenaz's Musical Moment and Shaham's The Rosendorf Quartet. Israel Studies Forum – An Interdisciplinary Journal (21) 2: 85-101.

*A comprehensive Hebrew version: Michal Ben-Horin. (2017). Music and History in Kenaz and Shaham. In Chen Strass and Keren Dotan (Eds.), Yofiam shel Hamenutzahim, (427-447). Am Oved and Heksherim. [In Hebrew].

28. Michal Ben-Horin. (2006). Memory Metonymies: Music and Photography in Ingeborg Bachmann and Monika Maron. German Life and Letters (59)2: 233-248.
29. Michal Ben-Horin. (2005). Compositions of Memory: The Musical Poetics of Ingeborg Bachmann and Thomas Bernhard. Dappim – Journal for Research in Literature (14-15): 363-388. [In Hebrew].
30. Michal Ben-Horin. (2004). Musik einer Erinnerungspoetik: Fallstudie über deutschsprachige und hebräische Literatur nach '45. Weimarer Beiträg – Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturwissenschften (50) 3: 404-426.